Prolegomena for a theory of beauty of landscapes in urban environments: contribution to the development of a new culture in terms of space production in Brazil

Authors

  • Cláudio Jorge Moura de Castilho Programa de Pós-graduação em Desenvolvimento e Meio Ambiente (PRODEMA), Departamento de Ciências Geográficas, Universidade Federal de Pernambuco (UFPE)
  • Bruno Augusto Nogueira Monteiro Pontes Programa de Pós-graduação em Desenvolvimento e Meio Ambiente (PRODEMA), Departamento de Ciências Geográficas, Universidade Federal de Pernambuco (UFPE)

DOI:

https://doi.org/10.5380/dma.v52i0.62498

Keywords:

lived territory, capitalist technical-instrumental rationality, culture of contempt, Metropolitan Region of Recife

Abstract

It is resumed  the discussion about the relevance of the formulation with regard to a theory of beauty’s landscape in order to explain the nature of the process of urban environment’s construction as a contribution to the development of a new culture in terms of space production in Brazil. The methodology used to carry out this paper was essentially based on a literature review about the question delimited, as well as on the authors' empirical experience. As the main contribution that has been made, it is necessary to think and produce spaces, returning to the concern with the beauty of the men and women landscapes as an enabler of the feeling of love capable of reinforcing feelings of belonging to the territory.

Downloads

Published

2019-12-30

How to Cite

de Castilho, C. J. M., & Pontes, B. A. N. M. (2019). Prolegomena for a theory of beauty of landscapes in urban environments: contribution to the development of a new culture in terms of space production in Brazil. Desenvolvimento E Meio Ambiente, 52. https://doi.org/10.5380/dma.v52i0.62498

Issue

Vol. 52 (2019)

Section

Articles

License

Copyright on works published in this journal rests with the author, with first publication rights for the journal. The content of published works is the sole responsibility of the authors. DMA is an open access journal and has adopted the Creative Commons Attribution 4.0 Not Adapted (CC-BY) license since January 2023. Therefore, when published by this journal, articles are free to share (copy and redistribute the material in any medium or format for any purpose, even commercial) and adapt (remix, transform, and create from the material for any purpose, even commercial). You must give appropriate credit, provide a link to the license and indicate if changes have been made.

The contents published by DMA from v. 53, 2020 to v. 60, 2022 are protected by the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license.

DMA has been an open access journal since its creation, however, from v.1 of 2000 to v. 52 of 2019, the journal did not adopt a Creative Commons license and therefore the type of license is not indicated on the first page of the articles.