The Risk Perception of Tobacco Production and its Contribution in the Productive Conversion Discussion in the Settlement 25 de Maio, Santa Terezinha/SC – Brazil
DOI:
https://doi.org/10.5380/dma.v21i0.14531Keywords:
risk perception, tobacco production, settlements, conversion productionAbstract
International organizations report that over the last fifteen years tobacco production has declined amongthe world’s principal producing countries. However, Brazil has shown a significant increase of theirproduction in the last decade, consolidating itself as the second largest world producer since 2000.Furthermore, we find that the mobilization efforts and measures taken in relation to the risks of tobaccoconsumption worldwide have been increased, while those associated with the risks of tobacco productionhave not. Whereas the risk perception is a social construction rooted in the socio-cultural dimension,as well as in the concrete effect of an action, this paper discusses the perception of farmers from thesettlement known as “25 de Maio”, with respect to the risks of tobacco production. It also examinesthe contribution that this reflection on the collective risk perception makes to a process of convertingproduction to medicinal plants, herbs and condiments. It appears that all of the families interviewedwould stop producing tobacco since they realize that this activity causes the deterioration of their workingconditions and health, but the income generated is the factor that determines their decision to work inthis activity. However, the fact that these families belong to a social movement strengthens the collectiveperception of and reflection on the risks inherent to tobacco production, and contributes as a foundation for the process of production conversion.
Downloads
Published
How to Cite
Issue
Section
License
Copyright on works published in this journal rests with the author, with first publication rights for the journal. The content of published works is the sole responsibility of the authors. DMA is an open access journal and has adopted the Creative Commons Attribution 4.0 Not Adapted (CC-BY) license since January 2023. Therefore, when published by this journal, articles are free to share (copy and redistribute the material in any medium or format for any purpose, even commercial) and adapt (remix, transform, and create from the material for any purpose, even commercial). You must give appropriate credit, provide a link to the license and indicate if changes have been made.
The contents published by DMA from v. 53, 2020 to v. 60, 2022 are protected by the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license.
DMA has been an open access journal since its creation, however, from v.1 of 2000 to v. 52 of 2019, the journal did not adopt a Creative Commons license and therefore the type of license is not indicated on the first page of the articles.







.png)




