Vol. 11 No. 1 (2014): Filosofia e Pintura

View Vol. 11 No. 1 (2014): Filosofia e Pintura
DOI: https://doi.org/10.5380/dp.v11i1
Published: 2014-04-30

Editorial

  • Editorial

    Vinicius Berlendis de Figueiredo, Luís Nascimento
    DOI: https://doi.org/10.5380/dp.v11i1.36376

  • Mimesis, painting and poetry in Aristotles Poetics

    Christiani Margareth de Menezes e Silva
    DOI: https://doi.org/10.5380/dp.v11i1.32902

  • The Choice of Hercules: the Artistic Problem of Expression in the Shaftesburian Tradition

    Laurent Jaffro
    DOI: https://doi.org/10.5380/dp.v11i1.34596

  • Sensible idea and pictorial image: the relationship of artistic genres in German aesthetics

    Oliver Tolle
    DOI: https://doi.org/10.5380/dp.v11i1.34652

  • Willian Hazlitt: An art critic under the sign of revolution

    Pedro Paulo Pimenta
    DOI: https://doi.org/10.5380/dp.v11i1.34595

  • The aesthetic contemplation: Schopenahuer and Mondrian

    Maria Lúcia Cacciola
    DOI: https://doi.org/10.5380/dp.v11i1.34592

  • Painting, history of art and culture

    Rosa Gabriella de Castro Gonçalves
    DOI: https://doi.org/10.5380/dp.v11i1.32795

  • piritual and magic in art: The notion of genius in Kandinsky’s oeuvre

    Walter Romero Menon Jr.
    DOI: https://doi.org/10.5380/dp.v11i1.34860

  • Painting and hysteria: the logic of sensation and non- representative figures in Bacon and Deleuze

    Cíntia Vieira da Silva
    DOI: https://doi.org/10.5380/dp.v11i1.32809

  • Mark Rothko’s spatial conques

    Pedro Duarte
    DOI: https://doi.org/10.5380/dp.v11i1.32810

  • The sublime and the Abstract Expressionism

    Pedro Sussekind
    DOI: https://doi.org/10.5380/dp.v11i1.32796

Ilustrações

  • Imagens

    Imagens Filosofia e Pintura
    DOI: https://doi.org/10.5380/dp.v11i1.36377