O LEITOR EM MEIO AO CANÔNICO E A MASSA: A INTERTEXTUALIDADE EM LUA NOVA E ECLIPSE, DE STEPHENIE MEYER E EM SUAS ADAPTAÇÕES CINEMATOGRÁFICAS
DOI:
https://doi.org/10.5380/rvx.v1i0.22544Keywords:
Twilight saga, canon, intersemiotic transposition, multimodality, literatures in English.Abstract
ABSTRACT: It is known that classic literary works are revisited from many kinds of media and they can be used as inspiration to cinematographic adaptations, plays, and so on, or also, they can continue in the same media, for instance, they can be adapted or used as an intertext in a novel. In this context, we can find connections between canonical literature and mass literature in a sense that mass literature can use classic literary texts as material to contribute in its plot. Thus, as two novels from Twilight Saga (Stephenie Meyer), New Moon and Eclipse, have in their plots, respectively, the intertext with Romeo and Juliet and Wuthering Heights, the goal of this article is to analyze how these intertextual resources are used in the written media and check how they are represented on their film adaptations. This analysis is performed as an attempt to show the possible influence from mass literature and film adaptations in the formation of the reader. To do that, this study is based on Kristeva (1978), Venuti (2002), Koch (2005), Diniz (2005), Hutcheon (2006), Clüver (1997; 2007), among others.
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