Painting, history of art and culture

Authors

  • Rosa Gabriella de Castro Gonçalves Universidade Federal da Bahia (UFBA), Salvador

DOI:

https://doi.org/10.5380/dp.v11i1.32795

Keywords:

Foucault, Barthes, painting, Manet, Twombly, formalism.

Abstract

This article aims to investigate how Michel Foucault and Roland Barthes analyzed the work of the painters Édouard Manet and Cy Twombly guided by the idea that, in modernity, the artwork can no longer be interpreted merely as the expression of the author’s subjectivity, but instead, by virtue of the relationship it holds with the culture and the art history which preceeds it, as well as to evaluate how close to formalism this approach is.

Author Biography

Rosa Gabriella de Castro Gonçalves, Universidade Federal da Bahia (UFBA), Salvador

Professora de Teoria da Arte da Escola de Belas Artes e do Programa de Pós Graduação em Filosofia da UFBA.

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Published

2014-04-30

How to Cite

de Castro Gonçalves, R. G. (2014). Painting, history of art and culture. DoisPontos, 11(1). https://doi.org/10.5380/dp.v11i1.32795

Issue

Vol. 11 No. 1 (2014): Filosofia e Pintura

Section

Articles

License

Copyright for articles published in this journal belongs to the author, with first publication rights for the journal. Because of appearing in this public access journal, the articles are free to use, with terms of reference, in educational and non-commercial applications.