Produções Legais da Pirataria: O Streaming e a Incorporação das Demandas e Discursos Piratas no Mercado do Entretenimento Digital

Andressa Nunes Soilo

Resumo


A partir das mudanças desencadeada nas indústrias fonográfica e cinematográfica em razão das tecnologias digitais de compartilhamento de arquivos que desafiaram o regime de propriedade intelectual no final da década de 1990, este artigo tem como objetivo analisar processos de incorporação dos discursos e demandas da “pirataria” no mercado legal do streaming. Com base em etnografia realizada no ciberespaço entre os anos de 2015 e 2017 sugiro que as atuais plataformas de streaming são não somente inspiradas, mas permeadas e produzidas pela “pirataria” digital e por suas estratégias de resistência ao mercado tradicional do entretenimento. Em uma dinâmica porosa de produção do legal a partir da incorporação do ilegal é possível dizer que os novos modelos de mercado do entretenimento digital correspondem a processos de formalização das demandas e discursos piratas.


Palavras-chave


Pirataria; Propriedade Intelectual; Cibercultura; Streaming

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Referências


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DOI: http://dx.doi.org/10.5380/cra.v18i1-2.55743

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