Adorno's Praxis of individuation Through Music Listening

Autores

  • Jeremy J. Shapiro Fielding Graduate University

DOI:

https://doi.org/10.5380/mp.v3i2.21980

Resumo

Theodor W. Adorno's Anweisungen zum Hören neuer Musik (Guidelines for Listening to Modern Music) contain instructions not only for how to listen but also for how to have experience in general. The psycological, perceptual, and cognitive structures involved are existential structures, i.e. guidelines as to how to be as a modernist or post-modern self. Since listening involves abandoning oneself to the immanent logic of musical works, it is these works that provide the model for how to be. Adorno's work also shows, in contradistinction to some views of Adorno, his commitment to the unity of theory and practice and demonstrates that his musical writing is a completely independent and novel strand of critical theory because of is attempt to articulate the ineffable. However, Adorno's explicit theory of listening ("structural listening") is itself inadequate to Adorno's implicit theory of listening as contained in the practice of his actual musical writings.

Biografia do Autor

Jeremy J. Shapiro, Fielding Graduate University

Dr. Jeremy J. Shapiro is professor of human and organization development at Fielding Graduate University. He is the co-author of Mindful Inquiry in Social Research and of papers on the social, cultural, and psychological impact of information technology and systems and on critical social theory. A student of Adorno (and of Marcuse and Habermas) and a translator of some of their works into English, he is particularly interested in the aesthetics of music and the phenomenology of music listening, and is currently translating into English some of Adorno`s essays on listening to music. He resides in New York City.

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Shapiro, J. J. (2010). Adorno’s Praxis of individuation Through Music Listening. Música Em Perspectiva, 3(2). https://doi.org/10.5380/mp.v3i2.21980

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