On the idea of dramatization in Gilles Deleuze

Authors

  • Veronica Miranda Damasceno UERJ/UNICAMP

DOI:

https://doi.org/10.5380/dp.v8i2.21519

Keywords:

Deleuze, Leibniz, Lynch, dramatization, concept, virtual

Abstract

This article introduces of dramatization in Gilles Deleuze. It is the subversion of the classic metaphysical questions that justify the essences and ideas. A distribution of differences of ideias determines the update. The method of dramatization involves processes of differentiation. Internal differences, relative to blocks of space-time create conditions for concepts. An intensive field and differential forces brings about a special theater of the virtual and an expression of ideas. The reality is not given, but dramatized by forces and individual subjectivities larvae. The method of dramatization falls short of knowledge and even to consolidate all gains that philosophy with the concepts. The paper will also seek to indicate the links of dramatization with the worlds of Leibniz and the cinema of David Lynch.

Author Biography

Veronica Miranda Damasceno, UERJ/UNICAMP

Doutora em Filosofia pela UERJ; Pós-Doutoranda em Filosofia pela Unicamp; Professora Substituta do Departamento de Filosofia da UERJ.

How to Cite

Damasceno, V. M. (2011). On the idea of dramatization in Gilles Deleuze. DoisPontos, 8(2). https://doi.org/10.5380/dp.v8i2.21519

Issue

Section

Deleuze